randian | 燃点

“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more

(中文) 由中华人民共和国文化部支持、中国对外文化集团公司组织的第 15 届威尼斯国际建筑双年展中国馆展览将于2016 年 5 月 26 日开幕，持续到 11 月 27 日结束。 >> Read more

On June 25, the first edition of the Xinjiang International Art Biennale opened in Urumqi. The biennale, organized by the Ministry of Culture as well as the Xinjiang Government... >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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How a Shanghai institution helped legalize avant-garde art practice. >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more

The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> Read more

Taipei Dangdai announces a stellar line up of 90 galleries from across the globe, to kick off the 2019 art world calendar. The first edition of the fair attracts a strong participation of leading international galleries who will exhibit in Taipei for the first time, whilst showcasing the very best of Asia. >> Read more

"Double Take" presents the work of two exemplary, and hugely influential 20th-century photo essayists, the documentary photographers Brian Brake and Steve McCurry. Both Brake and, twenty years later, McCurry made their reputations as visual storytellers providing eyewitness accounts of great events. >> Read more